"One of the most important bands
in the history of rock and roll."
Michael Tomasnetsky - Blue Suade News #42
The Boys from Tacoma
From Jimi Hendrix to Heart to Nirvana, the Northwest has
produced some musical giants. Geographically isolated,
the area's cultural scenes have always been a bit skewed
from major metropolitan centers. And through it all, the
"Northwest Sound" has been influential in rock music for
the past 40 years. The Beatles, Rolling Stones, The Who,
The Kinks & David Bowie all can be linked to this corner
of the country by their quotes or music.
The fifties in the Northwest were an interesting melting
pot. Clubs such as The Black and Tan, Birdland, and the
Evergreen Ballroom routinely brought black R&B acts to
town, and Ray Charles was based in the area.
Rockabilly had made its presence known, and Elvis
Presley was huge. It was out of this environment that five
teenagers from Tacoma, Washington formed the
Fabulous Wailers.
• The Boys from Tacoma hit nationally while still in high
school. "Tall Cool One" reached the national charts at
#36 in June of 1959. Fame called the band to the East
Coast for some appearances, including the Alan Freed
Show and American Bandstand. Turning down high-
powered management, they returned to the Northwest to
dominate the local entertainment scene.
As with any band with a ten year longevity, membership
changed in the Wailers. Kent Morrill (keyboards, lead
vocals) was there for the band's entire history. Buck
Ormsby (bass, guitar) joined immediately after "Tall Cool
One" and lasted the duration. Over the years they had
several guitar players: Rich Dangel, John Greek, Neil
Anderson and Denny Weaver. The band's original
drummer was Mike Burk and later Dave Roland. Mark
Marush played tenor sax, and was replaced by Ron
Gardner who also sang lead and developed into a
compelling front man. Frustrated about the way they were
handled (or mishandled) by the major record labels,
Ormsby, Morrill and Rockin' Robin Roberts formed their
own "indie" record label "Etiquette".
Thus, their material was self-recorded and self-promoted.
They produced a number of other acts, and Etiquette has
left a fine history of some of the Northwest's most gritty
recordings.